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Walt Disney Pictures[3] (also known as Walt Disney Studios Motion Picture Production or simply Disney)[1] is an American film production studio within The Walt Disney Studios, which is owned by The Walt Disney Company. The subsidiary is the flagship producer of live-action feature films within the Walt Disney Studios unit, and is based at the Walt Disney Studios in Burbank, California. Animated films produced by Walt Disney Animation Studios and Pixar Animation Studios are also released under this brand. Walt Disney Studios Motion Pictures distributes and markets the films produced by Walt Disney Pictures.

Disney began producing live-action films in the 1950s, under the company's all-encompassing name, Walt Disney Productions. The live-action division took on its current name of Walt Disney Pictures in 1983, when Disney reorganized its entire studio division; which included the separation from the feature animation division and the subsequent creation of Touchstone Pictures.

The 2019 remake of The Lion King is the studio's highest-grossing film worldwide with $1.6 billion,[4] and Pirates of the Caribbean is the studio's most successful franchise, with five films earning a total of over $4.5 billion in worldwide box office gross.[2]


Predecessor unit[]

The studio's predecessor (and the modern-day The Walt Disney Company's as a whole) was founded as the Disney Brothers Cartoon Studio, by filmmaker Walt Disney and his business partner and brother, Roy, in 1923.

The creation of Mickey Mouse and subsequent short films and merchandise generated revenue for the studio which was renamed as The Walt Disney Studio at the Hyperion Studio in 1926.[5] In 1929, it was renamed again to Walt Disney Productions. The studio's streak of success continued in the 1930s, culminating with the 1937 release of the first feature-length animated film, Snow White and the Seven Dwarfs, which becomes a huge financial success.[6] With the profits from Snow White, Walt relocated to a third studio in Burbank, California.[7]

In the 1940s, Disney began experimenting with full-length live-action films, with the introduction of hybrid live action-animated films such as The Reluctant Dragon (1941) and Song of the South (1946).[8] That same decade, the studio began producing nature documentaries with the release of Seal Island (1948), the first of the True-Life Adventures series and a subsequent Academy Award winner for Best Live-Action Short Film.[9][10]

Walt Disney Productions had its first fully live-action film in 1950 with the release of Treasure Island, considered by Disney to be the official conception for what would eventually evolve into the modern-day Walt Disney Pictures.[11] By 1953, the company ended their agreements with such third-party distributors as RKO Radio Pictures and United Artists and formed their own distribution company, Buena Vista Distribution.[12]


The live-action division of Walt Disney Productions was incorporated as Walt Disney Pictures on April 1, 1983 to diversify film subjects and expand audiences for their film releases.[13] In April 1983, Richard Berger was hired by Disney CEO Ron W. Miller as film president. Touchstone Films was started by Miller in February 1984 as a label for the studio's PG-13 and R-rated films with an expected half of Disney's yearly 6-to-8-movie slate, which would be released under the label.[14] That same year, newly-named Disney CEO Michael Eisner pushed out Berger, replacing him with Eisner's own film chief from Paramount Pictures, Jeffrey Katzenberg.[15] Touchstone and Hollywood Pictures were formed within that unit on February 15, 1984 and February 1, 1989 respectively.[16]

The Touchstone Films banner was used by then new Disney CEO Michael Eisner in the 1984–1985 television season with the short lived western, Wildside. In the next season, Touchstone produced a hit in The Golden Girls.[17]

David Hoberman was promoted to president of production at Walt Disney Pictures in April 1988.[18] In April 1994, Hoberman was promoted to president of motion picture production at Walt Disney Studios and David Vogel was appointed as Walt Disney Pictures president.[19] The following year, however Hoberman resigned from the company, and instead began a production deal with Disney and his newly-formed production company, Mandeville Films.[19] In addition to Walt Disney Pictures, Vogel added the head position of Hollywood Pictures in 1997, while Donald De Line remained as head of Touchstone.[20] Vogel was then promoted in 1998 to the head of Buena Vista Motion Pictures Group, the newly-formed division that oversaw all live-action production within the Walt Disney Pictures, Touchstone, and Hollywood labels.[21][22] The move was orchestrated by Walt Disney Studios chairman Joe Roth, as an effort to scale back and consolidate the studio's film production.[22] As a result of the restructuring, De Line resigned.[23]

That same year, Nina Jacobson became executive vice-president of live-action production for Buena Vista Motion Pictures Group.[24] Jacobson remained under this title until May 1999, when Vogel resigned from the company, and Jacobson was appointed by Roth to the role of president of production.[25][22] During her tenure, Jacobson oversaw the production of films at Walt Disney Pictures, including Pirates of the Caribbean, The Chronicles of Narnia, National Treasure, Remember the Titans, and The Princess Diaries, and was responsible for establishing a first-look deal with Jerry Bruckheimer Films.[26][27] In 2006, Jacobson was fired by studio chairman Dick Cook, and replaced with by Oren Aviv, the head of marketing.[26][28]

After two films based on Disney theme park attractions,[29][30][31] Walt Disney Pictures selected it as a source of a line of films starting with The Country Bears (2002) and The Haunted Mansion and Pirates of the Caribbean: The Curse of the Black Pearl (both 2003).[32] The latter film—the first film produced by the studio to receive a PG-13 rating—began a film series that was followed by four sequels, with the franchise taking in more than $5.4 billion worldwide from 2003 to 2017.[29][33] On January 12, 2010, Aviv stepped down as the studio's president of live-action production.[34]


In January 2010, Sean Bailey was appointed the studio's president of live-action production, replacing Aviv.[35][2] Bailey had produced Tron: Legacy for the studio, which was released later that same year.[35] Under Bailey's leadership and with support from then Disney CEO Bob Iger—and later studio chairman Alan Horn—Walt Disney Pictures pursued a tentpole film strategy, which included an expanded slate of original and adaptive large-budget tentpole films. Beginning in 2011, the studio simplified the branding in its production logo and marquee credits to just "Disney".[36] Concurrently, Disney was struggling with PG-13 tentpole films outside of the Pirates of the Caribbean series, with films such as John Carter (2012) and The Lone Ranger (2013) becoming major box office bombs. However, the studio had found particular success with live-action fantasy adaptations of properties associated with their animated films, which began with the commercial success of Alice in Wonderland (2010), that became the second billion-dollar-grossing film in the studio's history.[37] With the continued success of Maleficent (2014) and Cinderella (2015), the studio saw the potential in these fantasy adaptations and officiated a trend of similar films, which followed with The Jungle Book (2016) and Beauty and the Beast (2017).[38][2] By July 2016, Disney had announced development of nearly eighteen of these films consisting of sequels to existing adaptations, origin stories and prequels.[38][39] Although Walt Disney Pictures produced several successful smaller-budgeted genre films throughout the 2010s, such as The Muppets (2011), Saving Mr. Banks (2013), and Into the Woods (2014), the studio shifted its production model entirely on tentpole films as they had found that a majority of the smaller genre films were becoming financially unsustainable in the theatrical market.[2][40][41]

In 2017, The Walt Disney Company announced it was creating its own streaming service platform.[42] The new service, known as Disney+, would feature original programming created by the company's vast array of film and television production studios, including Walt Disney Pictures.[43] As part of this new distribution platform, Bailey and Horn confirmed that Walt Disney Pictures would renew development on smaller-budgeted genre films that the studio had previously stopped producing for the theatrical exhibition market a few years prior.[44][45][41] In 2018, nine films were announced to be in production or development for the service.[46] These films would be budgeted between $20 million and $60 million.[44] The studio is expected to produce approximately 3-4 films per year exclusively for Disney+, alongside its theatrical tentpole slate.[45] Disney+ was launched on November 12, 2019 in the United States, Canada, and the Netherlands, with subsequent international expansions.[43] Within the first two months of the service's launch, Walt Disney Pictures had released three films (Lady and the Tramp, Noelle, and Togo) exclusively for Disney+.[41]

On March 12, 2020, Fox Family president Vanessa Morrison was named president of live-action development and production of streaming content for both Disney Live Action and 20th Century Studios, reporting directly to Bailey. That same day, Philip Steuer and Randi Hiller were also appointed as president of the studio's physical, post production and VFX, and executive vice president for casting, respectively–overseeing these functions for both Walt Disney Pictures and 20th Century Studios.[1]


Until 1985, instead of a traditional production logo, the opening credits of Disney films used to feature a title card that read "Walt Disney Presents", and later, "Walt Disney Productions Presents".[47] In Never Cry Wolf, and the pre-release versions of Splash, it showed a light blue rectangle with the name "Walt Disney Pictures" and featured a white outline rectangle framing on a black screen.

Beginning with the release of Return to Oz in 1985, Walt Disney Pictures introduced its fantasy castle logo. The version with its accompanying music premiered with The Black Cauldron.[47] The logo was created by Walt Disney Feature Animation in traditional animation and featured a white silhouette of Disneyland's Sleeping Beauty Castle against a blue background, with the studio's name and underscored by "When You Wish Upon A Star", in arrangement composed by John Debney.[48] A short rendition of the logo was used as a closing logo as well as the movie Return to Oz, although the film was months before The Black Cauldron was released. Beginning with Dinosaur (2000), an alternative logo featuring an orange castle and logo against a black background, was occasionally presented with darker tone and live-action films. A computer-animated RenderMan variant appeared before every Pixar Animation Studios film from Toy Story until Ratatouille, featuring an original fanfare composed by Randy Newman, based on the opening score cue from Toy Story.

In 2006, the logo was updated with the release of Pirates of the Caribbean: Dead Man's Chest at the behest of then-Walt Disney Studios chairman Dick Cook and studio marketing president Oren Aviv.[48] Designed by Disney animation director Mike Gabriel and producer Baker Bloodworth, the modernized logo was created completely in computer animation by Weta Digital and featured a redesigned 3D Waltograph typography. The final rendering of the logo was done by Cameron Smith and Cyrese Parrish.[49] In addition, the revamped logo includes visual references to Pinocchio, Mary Poppins, Peter Pan, Cinderella, and Dumbo, and its redesigned castle incorporates elements from both Sleeping Beauty and Cinderella Castle, as well as fireworks and Walt Disney's family crest.[50] Mark Mancina wrote a new composition and arrangement of "When You Wish upon a Star" to accompany the 2006 logo.[48] In 2011, the sequence was modified to truncate the "Walt Disney Pictures" branding to "Disney".[51]

Film library[]

The studio's first live-action film was Treasure Island (1950). Animated films produced by Walt Disney Animation Studios and Pixar are also released by Walt Disney Pictures. The studio has released four films that have received an Academy Award for Best Picture nomination: Mary Poppins (1964), Beauty and the Beast (1991), Up (2009), and Toy Story 3 (2010).[52]

Highest-grossing films[]

Walt Disney Pictures has produced five live-action films that have grossed over $1 billion at the worldwide box office: Pirates of the Caribbean: Dead Man's Chest (2006), Alice in Wonderland (2010), Pirates of the Caribbean: On Stranger Tides (2011), Beauty and the Beast (2017) and Aladdin (2019);[2][53] and has released eight animated films that have reached that milestone: Toy Story 3 (2010), Frozen (2013), Zootopia, Finding Dory (both 2016), Incredibles 2 (2018), The Lion King, Toy Story 4, and Frozen II (three in 2019).

Highest-grossing films in North America[54]
Rank Title Year Box office gross
1 Incredibles 2 2018 $608,581,744
2 The Lion King 2019 $543,638,043
3 Beauty and the Beast 2017 $504,014,165
4 Finding Dory 2016 $486,131,416
5 Frozen II 2019 $477,368,818
6 Toy Story 3 2010 $434,038,008
7 Pirates of the Caribbean: Dead Man's Chest 2006 $423,315,812
8 The Lion King 1994 $422,783,777
9 Toy Story 4 2019 $415,004,880
10 Frozen 2013 $400,738,009
11 Finding Nemo 2003 $380,843,261
12 The Jungle Book 2016 $364,001,123
13 Aladdin 2019 $356,258,912
14 Inside Out 2015 $356,002,827
15 Zootopia 2016 $342,268,248
16 Alice in Wonderland 2010 $334,191,110
17 Pirates of the Caribbean: At World's End 2007 $309,420,425
18 Pirates of the Caribbean: The Curse of the Black Pearl 2003 $305,413,918
19 Up 2009 $293,004,164
20 The Chronicles of Narnia: The Lion, the Witch and the Wardrobe 2005 $291,710,957
21 Monsters, Inc. 2001 $289,916,256
22 Toy Story 2 1999 $276,554,625
23 Monsters University 2013 $268,492,764
24 The Incredibles 2004 $261,441,092
25 Moana 2016 $248,757,044
Highest-grossing films worldwide
Rank Title Year Box office gross
1 The Lion King 2019 $1,657,598,092
2 Frozen II $1,450,022,173
3 Frozen 2013 $1,280,802,282
4 Beauty and the Beast 2017 $1,264,521,126
5 Incredibles 2 2018 $1,243,805,359
6 Toy Story 4 2019 $1,073,394,593
7 Toy Story 3 2010 $1,067,171,911
8 Pirates of the Caribbean: Dead Man's Chest 2006 $1,066,179,725
9 Aladdin 2019 $1,051,693,953
10 Pirates of the Caribbean: On Stranger Tides 2011 $1,045,713,802
11 Finding Dory 2016 $1,029,473,532
12 Alice in Wonderland 2010 $1,025,467,110
13 Zootopia 2016 $1,024,641,447
14 The Lion King 1994 $968,554,386
15 The Jungle Book 2016 $966,550,600
16 Pirates of the Caribbean: At World's End 2007 $963,420,425
17 Finding Nemo 2003 $940,335,536
18 Inside Out 2015 $857,675,046
19 Coco 2017 $807,139,032
20 Pirates of the Caribbean: Dead Men Tell No Tales $794,826,541
21 Maleficent 2014 $758,410,378
22 The Chronicles of Narnia: The Lion, the Witch and the Wardrobe 2005 $745,013,115
23 Monsters University 2013 $744,229,437
24 Up 2009 $735,099,082
25 Big Hero 6 2014 $657,827,828

—Includes theatrical reissue(s).

See also[]


  1. 1.0 1.1 1.2 1.3 D'Alessandro, Anthony (March 12, 2020). Steve Asbell Takes Over 20th Century Studios Post Emma Watts; Vanessa Morrison Named Walt Disney Studios Streaming Production President.
  2. 2.0 2.1 2.2 2.3 2.4 2.5 Fleming, Jr., Mike. "Sean Bailey On How Disney's Live-Action Division Found Its 'Beauty And The Beast' Mojo", Deadline, Penske Business Media, LLC, March 21, 2017. Retrieved on March 23, 2017. 
  3. Entity Search: C1138747 - Walt Disney Pictures (March 16, 2020).
  4. Mendelson, Scott. "'The Lion King' Just Broke A Disney Box Office Record, But It's Not Exactly Clear Which One", Forbes, August 11, 2019. 
  5. Chronology of the Walt Disney Company (1926). kpolsson.com.
  6. Gabler, Neal (2007). Walt Disney: The Triumph of the American Imagination. New York: Random House. pp. 276–277. ISBN 0-679-75747-3.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  7. Schroeder, Russel (1996). Walt Disney: His Life in Pictures. New York: Disney Press.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  8. The Walt Disney Company History. Company Profiles. fundinguniverse.com. Retrieved on November 6, 2012.
  9. The Best of Walt Disney's True-Life Adventures (1975). New York Times. Retrieved on March 18, 2015.
  10. New York Times: Seal Island. Retrieved on May 18, 2008.
  11. The Walt Disney Studios. The Walt Disney Company. Retrieved on June 4, 2014.
  12. Fixmer, Andy. "Disney to Drop Buena Vista Brand Name, People Say (Update1)", Bloomberg News, April 25, 2007. Retrieved on November 28, 2012. 
  13. Business Entity Detail: Walt Disney Pictures (search on Entity Number: C1138747). California Secretary of State. Retrieved on March 18, 2015.
  14. Harmetz, Aljean. "Touchstone Label to Replace Disney Name on Some Films", The New York Times, 1984-02-16. (in en-US) 
  15. Harmetz, Aljean. "COMPANY NEWS; Disney Expansion Set; Film Output to Double", The New York Times, 1988-12-02. (in en-US) 
  16. Kunz, William M. (2007). "2". Culture Conglomerates: Consolidation in the Motion Picture and Television Industries. Lanham, MD.: Rowman & Littlefield Publishers. pp. 42, 45. ISBN 0742540650. OCLC 63245464.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  17. Andreeva, Nellie. "Touchstone TV now ABC TV Studio", The Hollywood Reporter, February 9, 2007. Retrieved on March 18, 2015. 
  18. "PEOPLE: Los Angeles County", Los Angeles Times, April 13, 1988. Retrieved on 31 March 2017. 
  19. 19.0 19.1 Welkos, Robert W.. "Disney Live Action Film Chief Quits : Studios: Hoberman's departure is a further dismantling of the former Katzenberg team.", Los Angeles Times, January 11, 1995. 
  20. Eller, Claudia. "Disney's Vogel to Aim at Adults", Los Angeles Times, September 9, 1997. 
  21. "David Vogel to Exit From Post as President of Buena Vista Motion Pictures Group" (Press release). Disney Studios. Business Wire. May 3, 1999. Retrieved March 30, 2017.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  22. 22.0 22.1 22.2 Cox, Dan. "Vogel exit in works at Disney", Variety, April 28, 1999. 
  23. Weinraub, Bernard. "Head of Touchstone Pictures Expected to Quit, Executives Say", The New York Times, May 29, 1998. 
  24. Cox, Dan. "Jacobson to join Disney", Variety, January 14, 1998. 
  25. "Vogel Resigns as President Of Disney's Buena Vista Unit", The Wall Street Journal, May 4, 1999. 
  26. 26.0 26.1 Eller, Claudia. "Disney Fires Film Production President", Los Angeles Times, July 19, 2006. 
  27. Sternwood, Vivian. "Crazy Rich Asians Producer Nina Jacobson's Drive for Inclusion in Hollywood: A Timeline of Her Successful Career", The Hollywood Reporter, 2018. 
  28. Holson, Laura. "Nina Jacobson Has Her Revenge on Hollywood’s Old-Boy Network", The New York Times, December 9, 2016. 
  29. 29.0 29.1 Bacle, Ariana. "Theme park ride-based movies: Will 'Small World' follow the trend?", Entertainment Weekly, April 23, 2014. Retrieved on March 28, 2017. 
  30. "Disney Sets ABC Pix", Variety, May 1, 1997. Retrieved on December 30, 2015. 
  31. Schwarzbaum, Lisa. "Mission to Mars", Entertainment Weekly, March 17, 2000. Retrieved on March 28, 2017. 
  32. Breznican, Anthony. "Disney's mysterious '1952' movie has a new name ... 'Tomorrowland'", January 28, 2013. Retrieved on January 29, 2013. 
  33. McNary, Dave. "End of an Era: Disney and Jerry Bruckheimer Part Ways", Variety, September 19, 2013. Retrieved on March 28, 2017. 
  34. Graser, Marc. "Oren Aviv ousted at Disney", Variety, July 12, 2020. 
  35. 35.0 35.1 Graser, Marc. "Disney names Sean Bailey production chief", Variety, January 14, 2010. 
  36. Walker, RV. "The Disney Logo: A Brief History of its Evolution and Variations", Nerdist Industries, March 28, 2015. Retrieved on October 16, 2015. 
  37. Kit, Borys. "Disney Buys Live-Action Prince Charming Project", The Hollywood Reporter, July 6, 2015. Retrieved on March 20, 2017. (in en) “Disney pioneered the recent and lucrative trend of taking either old animated classics or fairy tales and spinning them into live-action features.” 
  38. 38.0 38.1 Oswald, Anjelica. "Disney is planning 18 live-action remakes of its classic animated movies — here they all are", Business Insider, July 19, 2016. (in en) 
  39. Hipes, Patrick. "Disney: 'Ant Man And The Wasp' A Go, 'Incredibles 2' Dated & More", Deadline, Penske Business Media, LLC, October 8, 2015. Retrieved on March 21, 2017. 
  40. McClintock, Pamela. "Disney's Film Production Chief Talks ‘Mary Poppins’ and His Big Bet on 'The Lion King': "It's a New Form of Filmmaking"", The Hollywood Reporter, December 20, 2018. 
  41. 41.0 41.1 41.2 Jarvey, Natalie. "Bob Iger's Next Priority? Streamline Disney+ Development", The Hollywood Reporter, March 9, 2020. 
  42. Barnes, Brooks. "With Disney’s Move to Streaming, a New Era Begins", The New York Times, August 9, 2017. 
  43. 43.0 43.1 Brooks, Barnes. "Disney Plus Streaming Service Is Unveiled to Hollywood Fanfare", The New York Times, April 11, 2019. 
  44. 44.0 44.1 Remember Family Films? Disney Plus Is Making 'Em Like They Used To. Retrieved on November 21, 2019.
  45. 45.0 45.1 McClintock, Pamela. "Disney Film Chief Alan Horn Talks Fox Merger, 'Star Wars' and Pixar Post-John Lasseter", The Hollywood Reporter, February 21, 2019. 
  46. Barnes, Brooks. "Disney’s Streaming Service Starts to Come Into Focus", The New York Times, August 5, 2018. 
  47. 47.0 47.1 "Why the iconic Walt Disney Pictures logo was changed for ‘Tomorrowland’", Businesses Insider, June 22, 2015. Retrieved on June 4, 2015. 
  48. 48.0 48.1 48.2 "Old Disney magic in new animated logo", The Hollywood Reporter. Retrieved on July 10, 2006. 
  49. Behance.
  50. Cieply, Michael. "Eat Your Heart Out, MGM Kitty", The New York Times, July 10, 2014. 
  51. "The Disney Logo: A Brief History of its Evolution and Variations", Nerdist Industries, March 28, 2015. Retrieved on October 16, 2015. 
  52. Tribou, Richard. "Not-so-golden year for Disney's chances at the Oscars", Orlando Sentinel, January 16, 2014. Retrieved on February 20, 2016. 
  53. McClintock, Pamela. "'Aladdin' Casts $1 Billion Spell at Global Box Office", The Hollywood Reporter, July 26, 2019. 
  54. Box Office by Studio – Disney All Time. Box Office Mojo. Retrieved on September 23, 2019.

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